Its official guys, Buck has just launched a new studio in Sydney Australia. The world beating New York and LA animation studio have made their official launch with opening titles for Canadian creative conference Blend Fest.
New Zealand born designer/creative director Gareth O’brien made his way to Sydney from the New York office to lay the ground works for the Australian studio at the beginning of 2015. O’brien spent the last 12 months hiring talent and scouting studio space as well as working remotely on projects back in the US. We had a quick chat with him about the move.
OZ-London and Vancouver seem like hubs at the moment, what was it about Australia and Sydney in particular that made you want to set up here?
Clemenger BBDO Melbourne came up with a brand campaign for their client Libra that encourages women to wrangle their fears and feel empowered. ‘I Am Fearless’ is a television spot with illustration by Andrew Archer of UNA and animation by Flutter.
Revolving around the new Libra ambassador, singer/songwriter Megan Washington, the clip uses Andrew’s abstract and painterly style to take us through her experiences with anxiety. Artfully sweeping across the screen, the animated brushstrokes exemplify Megan’s intense emotions, travelling gracefully through moments of shame and distress before a crescendo into pride and triumph.
Flutter created a beautiful combination of 2D and 3D sequences — from the meticulous hand drawing of lines frame by frame, to creating a vinyl record in 3D form. Working from live references of their staff walking, standing and shaking hands. Also worth checking out is the behind the scenes of the Ad.
Melbourne based Illustrator and Animator Mimi Leung has just released her wonderfully fun film- Balls. She explains on vimeo-
Inspired by the athleticism and sports-loving nature of Australians, I started thinking about the huge variety of ball-related games out there. I made a list of types of balls and set that list to music. I took this idea and developed an animated video for the song which focused on speed, fluidity and… balls!
Melbourne based Animator, Elliot Schultz created these hypnotising Zoetrope contraptions by mixing a turntable with delicate embroidery and strobe lights. The result is just amazing and has been gaining a lot of interest on the interweb. For a behind-the-scenes take a look here and read our questions below for Elliot.
Australian animation and visual effects studio Iloura has animated Universal Pictures and MRC’s infamous talking teddy bear for TED 2. Completing more than 1,000 shots for the comedy, Iloura drew on the experience of working on 2012’s TED with Seth MacFarlane to help push Ted’s personality even further. Seth MacFarlane returns as writer, director and voice star of TED 2, the follow-up to the blockbuster that launched the career of the world’s most outrageous bear. Joined once again by Mark Wahlberg as John Bennett, the thunder buddies for life are entering into uncharted territory. It’s time to legalize Ted.
It feels like we are at the height of festival season at the moment with Annecy just about to kick off and Sydney Film festival and Zagreb winding down. Adding to this season of plenty, Australia’s largest animation festival Melbourne International animation Festival approaches quickly (Opening June 21, 2015). There looks to be a lot of juiciness in the 40+ programs on offer.
This year’s line up includes a special selection from the legendary NFB, including Bus Stories (Tali, 2014), Me and My Moulton (Torill Kove, 2014), No Fish Where to Go (Nicola Lemay, Janice Nadeau, 2014). Also featured in the international program are some of my favourites from the festival circuit from the last year- World of Tomorrow (Don Hertzfeldt, 2015), My Dad, (Marcus Armitage, 2014), Hipopotamy (Piotr Dumala, 2014) as well as many that I’m looking forward to seeing for the first time.
The festival will be opening on Sunday the 21st of June with its Australian Showcase screening. There are some swell looking new films in there- these are a selection that we’re especially looking forward to catching.
Husk by Paul Howell-
Howell uses life size puppets to bring his ideas to life. He explains- ‘“Husk” is a statement against the drive for total control that CG techniques impose. Husk embraces environmental unpredict-ability with changes in lighting, weather and events giving the film a genuine living feeling. It is not pretend, made up from polygons, the film is part of the real world and existed during filming.’
Also, the long awaited new film from Mikey Hill will be playing after its premier at the Sydney Film Festival this week.
Check out the full line up of screenings and talks on the MIAF website here.
Fresh from Dropbear (aka Jonathan Chong) comes this super tasty stop-motion treat perfectly synched and executed for Quack Fat by Opiuo. This animation took hundreds of hours to create and features over 240 cassettes, 5,600 feet of video tape, 108 floppy discs and 1 retro walkman. All worth it ! A feast for the eyes and ears !